Yapay zeka çağında film yapımında insan ve insan olmayan unsurların işbirliği

This dissertation investigates the evolving interplay between human and non-human elements in filmmaking, with a particular focus on the role of artificial intelligence. By examining the evolution of filmmaking technology and the emergence of AI, the study explores how these non-human elements have influenced the creative process and redefined the concept of authorship. A central theme is the concept of machine gaze, which examines how AI, as a non-human agent, contributes to the shaping of cinematic vision and narrative. Using Actor-Network Theory (ANT) and Foucault's author-function as theoretical frameworks, the study analyzes five case studies, including an industry- driven virtual production, a commercial project created with generative AI, independent, experimental and exploratory works by creators, artists and creative technologists. Semi- structured interviews with directors, producers, virtual production supervisor, and artists reveal how AI is integrated at varying levels across pre-production, production, and post- production stages. This research aims to contribute to a deeper understanding of the collaborative dynamics between humans and technology in shaping the future of cinema. Understanding how machines and humans interact within the creative space can contribute to the broader discourse on how AI intersects with creativity, not only in filmmaking but also in other media forms where emerging technologies are being embraced. Keywords: Collaborative filmmaking, human AI collaboration, AI filmmaking, AI authorship, AI creativity