Postmodern reflections on Adalet Ağaoğlu's narrow-time trilogy

Postmodernism is the name of various styles and orientations that emerged in the second half of the twentieth century after the loss of the vitality of modernist search. With the development of technology, the decrease in the value given to man has led mankind to other searches. In the works of Adalet Ağaoğlu, which is known by many as modernist, postmodern elements are found. Different from the structural state of literature in the subject of change, the author has developed his own style of expression. Until that day bravely expressed the social issues that few writers had ever considered to be critical. The fact that the individual is based on his works shows how much he is trying to reflect the realities of society. Due to his works, the author has been subject to many discussions, yet she has continued to pursue the path he knows by devoting his life to his art. Ağaoğlu, who considers the woman as the main element in his works, frequently deals with his self-affirmation in his works. The main purpose of the research, which is a very important part of Turkish literature, and to determine postmodern reflections on Lying to die, A Wedding Night and No, which constitute the tripartite trilogy of Adalet Ağaoğlu. After the introduction of the three-part study, it was mentioned what postmodernism is and how it is used in world literature, the first part informed about the life, art and works of Adalet Ağaoğlu. In the second part of the study, the novels, which were examined, were examined in terms of person, time, venue, plot, themes, point of view, language and style. In the third part, postmodern techniques used in Ağaoğlu's narrow-time trilogy were determined. These techniques are used in the postmodern novel review of the upper fictional, ontological elements, confusion of the mind, how to deal with the techniques in novels such as interlinking text. In conclusion, a general evaluation of the study was made and it was revealed how the postmodern features were used in these novels. Keywords: Adalet Ağaoğlu, Postmodernism, Superhuman, Irony