The storytelling of İbrahim Gazi

In this thesis named İbrahim Gazi's Storytelling, it is aimed to introduce İbrahim Gazi, one of the important names of Modern Tatar storytelling, in Turkish literature and to determine his position and importance in the world of literature by examining the structural elements he used in his stories. In the study, twenty-eight stories written by the author were transferred to Turkiye Turkish and discussed in the light of techniques such as fiction, content, narrator and point of view, people, place, time, language and wording and narrative techniques. In this direction, firstly, information was given about Gazi's life, literary personality and works. When the author's works are examined in general, it is seen that his autobiography is at the center of his stories. In particular, during World War II, the author's art has taken on a new dimension and the author who mastered his pen in these years reached the peak of his art in the post-war period. In his stories such as Sıyırcıklar (Sığırcıklar) Yugalgan Marziye (Kaybolan Marziye), Ana (Anne) Kışkı Kiçte (Kış Akşamında), Malay bilen Et (Çocuk ile Köpek), Aksöyek Nemetslar hem Kazlar (Soylu Almanlar ve Kazlar) ve Ehmet Babay (Ahmet Dede) reflecting the spirit of the period, he revealed that the trauma created by these pains evokes feelings of hatred and revenge on people. At the same time, in his stories Yul Östindegi Taş (Yol Üstündeki Taş) ve Ni öçin Töymeni Ozak Tagalar? (Neden Düğmeyi Uzun Sürede Takıyorlar?) he touched upon the main problems of the period that many writers did not even dare to write. In his stories Ak Sirin (Beyaz Leylak), Turgay Kartayamı iken? (Turgay Yaşlanıyor mu?), Bibisara, Gevheriye hem Usal At (Bibisara, Gevheriye ve Hırçın At), Yana Mastir (Yeni Usta), Öç Mehmüt (Üç Mahmut), he dealt with individual subjects and included psychological analyzes to analyze the inner world of the individual. İbrahim Gazi generally used first-person narration and heroic point of view in his stories. The places he used in his stories are the places in his immediate surroundings that the author has personally experienced. İbrahim Gazi, who is a witness of his age, is among the important names of Tatar literature with his personal creations in his stories, meticulousness in the use of language and expression techniques.