Yavuz Turgul movie Bandits a structural review on folk songs

As in all instances of cinematic genre Yavuz Turgul Bandit elephant-min Located songs and other audio elements of the not be considered separately from the plot folk songs and all the sound elements of the film's significa-tion-in effect, function, intended use, and which instruments that which the sense in which the separation section where the transfer, identity, local and audio elements forming Erkan Ogur, Gain Bediha and Alvarl Efe features of the lattice interaction events in the scenario analysis is ga-rektir. We aimed to identify the other sound elements we think are effective in the structura-list theory of thin-section method of the technical objective of our work is consistent for songs in the film and meaning of sections related with it. Our goal was detected in line-Food is the sound elements of the cross section of the meaning and the interpretation, use form, the function of the separation, the feeling of the audience ak-pain in my images and movies using the all specifications that are more effective, the film in the film the song after the entry into effect and film screenings in the Turkish cinema We will examine how the popularity win. Key Words: Yavuz Turgul and Eşkıya, folk song, sectional, Erkan Oğur -Kazancı Bedih - Alvarlı Efe.