The beat genaration, the marginal social group of the post WWII American literature: A study of Chandler Brossard's Who Walk in Darkness and John Clellon Holmes's Go

This study investigates the Beat generation as a marginal social group of the Post WWII America and looks at Chandler Brossard's Who Walk in Darkness and John Clellon Holmes's Go as the major works of the Beat movement which has had a significant impact on the American culture and society. The cultural and social legacy of the Beatniks can be traced to the sixties counterculture, hippies, anti-war movements, and even the civil rights movement. Their literary impact has been even more significant. The poets such as Allen Ginsberg and Lawrence Ferlinghetti and the novelists such as Jack Kerouac provided American literature with a fresh and original perspective, also making remarkable contributions in terms of form and style. The reason why I chose to study the Beat literature is the dissident attitudes of its writers and poets and the way they created a unique dissident culture. Their importance in terms of challenging the mainstream values of the post-war American society cannot be overlooked even if we view the modern American literature from a very broad perspective. Their critical stance with regard to the social and political issues concerning America can even be applied to today's global crises, affecting the societies all over the world. The Beats were not an isolated group of people who rejected to be involved in the current social political issues of their country. xii On the contrary, their anti-establishment and anti-war attitudes inspired the critical responses toward the Cold War between the US and The Soviet Union that emerged after the Second World War, the Red Scare, McCarthyism, policy of containment, conformity, consumerism created and supported by capitalism. Their anti-bourgeois and anti-materialistic attitudes provided a basis for the sixties counterculture and civil rights movement, and more importantly, they questioned the prejudices and discrimination against people on racial, ethnic, and ideological bases existing in the American society. The Beats' search for an authentic form of life and a personal identity outside the mainstream is brought under scrutiny. This study specifically deals with the themes of individualism and bohemian and hedonist lifestyle as an alternative to the American conformity and the white middle class values. The first section contains a review of the origins of the Beat Generation and is followed by a critical examination of it. The second chapter examines the general context of the post WWII America and views the post war America from the social and political aspects. The social and literary aspects of the same era are also discussed. The third chapter focuses on marginality and individuality vs. the mainstream White Middle Class Values in Brossard's Who Walk in Darkness, while chapter four debates hipsterism and hedonism vs. consumerism and conformity in John Holmes's Go. Both works are significant for portraying a xiii search for a more authentic lifestyle. They show the harsh consequences the characters are faced with after rejecting the mainstream white middle class values. One such consequence is being treated as outcasts and being marginalized. The characters cannot be integrated to the American society and because of their lifestyles they are judged harshly and stigmatized. So, both works deal with the judgmental attitudes of the white middle-class American society, which include racist, misogynist, and homophobic behaviors and which turn into heavier social and moral pressures, causing suppression of individual expression. The novels describe the suffocating atmosphere caused by social pressures and stigmatizing attitudes that frustrate the Beats who reject being mainstream career-oriented, consumerist conformists and give us an idea about how the American society after the WWII has been actually divided by the racial, ethnic, and sexual lines and how it is impossible to reduce it into one large homogeneous whole. The rebellious spirit reveals itself in the form of an energetic scene of subcultures such as the Beats that prefer to explore alternative ways of being and to acquire a variety of experiences rather than becoming regular members of the mainstream middle-class.