Comparison of the structural components of the Cem ceremonies with the art of theater and a new approach proposal

In this study, the theatrical features of Alevi Cem ceremonies are investigated. In the first chapter, the, history, structure and formation of the Alevi society are discussed. Then the sources of the Cem ceremonies, their aims, subjects, historical development, philosophical foundation, religious meaning, cultural reflections, social, judicial and educational functions are investigated. Additionally, the abstract and concrete features of Cem ceremonies within the Alevi-Bektashi memory, are explained. In this way, we tried to contribute to the analysis of a belief system and culture affluence dating back to ancient times. In the second part, the similarities between the religious rituals, which are the source of dramatic arts, and the cem ceremonies are set forth. Then, dramatic features of Cem ceremonies are theatrically searched in a detailed and concrete manner. In this way, structural elements of the cem ceremonies, including action, script, audience, space, performer, director, impersonation, dance, music, costume and props are evaluated theatrically. Structural features of Cem ceremonies analysed and described in theatrical language for Turkish theatre to benefit from it. Based on this description, proposals were made to make use of structural components of Cem ceremonies to create a genuine theatre of our own. To be able to analyze Cem rituals in its sociological entirety qualitative research method is employed. With its broad and comprehensive literature review, research and comparisons, this study will make a significant contribution to the Turkish theatre research. Keywords: Alevism, Cem ceremonies, Rituals, Performing Arts, Theater.