الـمَكانُ الطَّـبيعي والمكانُ الاصطناعيّ في شِّــعر صدر الإسلام
2022
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Advisor: Dr. Öğr. Üyesi Hanan Akko
Abstract (EN)
Talking about the place or ruins in Arabic poetry is one of the most stimulating things, the place is the most things that leaves its mark on the human being, where poets in the Jahiliyyah era used to sanctify the mention of the ruins' introduction. We find the poet on his journey standing in that place trying to enter it, when the poets entered Islam, some of them continued to adhere to those teachings that he grew up on in poetry in his Jahiliyyah era. The features of the ruins preludes faded and began to disappear, and a new type of poetry began to dominate the arena, which is the poetry of conquests, in which the Mujahideen poets addressed a new color of mentioning the place, by mentioning those places where the fighting took place, and by mentioning their homeland and nostalgia. The Islamic poet used the natural place in his poetry to express the homeland sometimes and to express the land of the enemies at other times. The mentioning of wine and drinking councils was disappeared among Islamic poets and only rarely shown, and the Islamic poet's influence on the Holy Qur'an in his poetry was apparent. Poetic texts in the early Islamic era are creative texts that carry all the elements of poetry, and they are no less in quality or creativity than their counterparts. Islamic poetry does not differ from the Jahiliyyah era in its style; because it is an extension of it, and because the poets of Islam are veterans, that is, they lived the tow eras, Jahiliyyah and Islam. Keywords: the natural place, the artificial place, Islamic poetry, the ruins' introduction.
Author
Hüseyin Ubeytoğlu
Institution
How to Cite
Hüseyin Ubeytoğlu (Master Thesis). الـمَكانُ الطَّـبيعي والمكانُ الاصطناعيّ في شِّــعر صدر الإسلام, 2022, Çankırı Karatekin Üniversitesi.
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