The surface at classical and modern painting

The surface of canvas in which the artist composed the work of art was exposed to three different usage along historical process. After the Renassance, the artist knew the perspective laws and composed his painting with the help of this laws. In this period the surface turned into the illusion. Eye was depened to the deepnessof painting, in this way the two dimensional plane of painting turned into the three dimensional illusion In 21st century the artists as Mondrian, Kandinski, Malevich perfected an illusion which was composed with the partition of the surface instead of the perspective laws by emphasizing the reality of paint. Colours and intersecting surfaces put forth a new illusion. In Unism we see that the plane of painting and the plane of canvas are united. Wladislaw Strzeminski put away all kinds of dilemma on the surface of canvas. All forms had same impetus. Finally, all surface were reached to the same level with the surface of canvas. The illusion of deepness was not permitted.