Tecniques of fiction in postmodrn play writting and their reflection in model plays.

This study dealt as the plotting techniques in writting of post-modern play has been carrid out by emphasizing, primarily the process passing without reaching modernism, modernitemodernism definitions and the effects of them ( these definitions) on the idea of theatre. Today?s system of idea has gave the place on art and writting and plotting methods in the theatre plays imparticularly by making an ascribe to the important development period carrying out in art together with this changing period from what the present century takes from last or the things totally left over to this age referred to as postmodernism. This century in the alterations which are significant and have made great effects by beginning a quarter century ago. This continuing changing does not exist on its own. Without disregarding the fact that an intellectual works of any period takes its own style within the frame of its own reality, it is necessary to define, on a thearetical substructure, which plot styles the playwrights of the 20th century used for the new techniques they developed. Considering ?Heiner Müller?, ?Peter Handke? and ?Thomas Brasch? referred to as postmodernist writers nowadeys and the work of art named as ?Hamlet Machine?, selected as a model play, ?Kaspar?, ? Women. War. Comedy?, it has been pointed out how the writer who testified the age he lived in reflected this time on his works and how the changing values affected the world of theatre and works of it. According to the ones formed in the perspective of what we talked out, it has been given a place on what the art?s function is in a world from historical one to the universal one, from the imaginary one the reality and from the reality to the fantastic (world) one.