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ديوان قانصوه الغوري: (بحث ومراجعة)
The research deals with a heritage manuscript of the Mamluk poet and sultan Qansuh al-Ghuri, based on the cognitive need to view the Arab heritage. This study will try to remove from the manuscript the dust of time and the darkness of libraries, by making it possible for them to extrapolate the poetic production in the Mamluk era, although the investigation is the goal so that this extrapolation will help the researcher to produce this manuscript. The researcher will try his best to get the manuscript out for the Arabic library and for the reader in the best way, and for the work to be close to what is hoped for. The research will be in two parts and indexes. The first section, "The Investigation Section," includes the introduction to the investigation, and the Diwan is an investigator. And in it: studying the text and commenting on what is required, translating the flags, and documenting what needs to be documented. The second section includes the study; It contains a general introduction to the Mamluk era, and then an introduction to the poet and his poetic doctrine. The researcher relied on the only copy and its source is the Danish Royal Library. He counted it as the mother copy; Because it is the clearest from a technical point of view when balancing it with the Al-Azhar version, which is likely to have been copied from the Danish original, and various issues were taken into account in the investigation, including: the spelling correction of some errors that occurred from the copyists wherever they were found, and the distribution of poetic texts according to the rhyme, not as it appears in the manuscript, and an explanation In the margins, he covered the vocabulary, and explained the meanings of Sufi and linguistic terms, in addition to the terms related to the science of tones, and documented the Qur'anic verses and the noble hadiths of the Prophet. The Muwashshahs that had a share in the manuscript were not on one topic, but rather their topics were many. In the applied study, the researcher presented the life of the poet and his age from the philosophical and literary point of view in addition to poetry and literary subjects, and he talked about the most important rhetorical phenomena that were mentioned in the office, quotation and inclusion, the most prominent of the Buda'iyyah, and the Sufism that was manifested in divine love and praise, The words are between Standard and colloquial. Then he concluded the research with a conclusion in which he mentioned the most important results he had reached, and the recommendations he recommended.
الضرورة الشعرية في شعر أبي العتاهية
will be filled The study of poetic necessity is a matter of linguistic studies, because it is based on the judgments that occur in Arabic poetry that contradict the rules of grammarians and Arabic grammar. There are many grammarians who have different methods in the rules of grammar and in their construction, which led to the difference of their opinions in many forms and aspects of necessity. Some see it as a necessity, while others see the opposite. Therefore, I preferred to show that the study of poetic necessity is one of the doors of linguistic studies, and not from the doors of Arabic rhetoric. This is what my research and study of this aspect will be based on.This study aimed to introduce the poet Abu al-Atahiya, his literary and poetic status, as well as the concept of poetic necessity, its definition and the opinions of scientists in it, and then to study the multiple types of poetic injuries in Abu al-Atahiya's poetry.In order to achieve this, I relied on the use of the descriptive method, which aims to collect scientific material from the poet Abu al-Atahiya's diwan, in addition to using the analytical method, to stand on the poetic injuries in Abu al-Atahiya's poetry, and to interpret and analyze them, and to detail the opinions of grammarians in them, to serve the nature of the topic and research scientific. Key Words: Poetic necessity, Abu al-Atahiya, Arabic poetry.
تحقيق مخطوط شرح منظومة وسيلة الإصابة في صنعة الكتابة
First of all, I had to introduce the author Ibn Khatib Al-Dahsha, then introduce his sheikhs, students, and his writings, then to the book (Sharhu Wesylati Elisaba Fi Sanati Elkıtaba), and my methodology in its investigation, as I documented his attribution to his author, and indicated his methodology that he followed in his book, and the confiscation from which he drew his scientific material, and more quotations from it, in addition to introducing the manuscript copies that I reached. My work in the investigation is to highlight the book as wanted by its author or as close to the image wanted by the author, so I chose the original copy and then compared it to the rest(others) of the copies with reference to the resources of the workbook and extracting the Qur'anic verses, the hadiths of the Prophet and poetic evidence, and documenting the sayings of the prominent scholars and translating them with the interpretation of what is between them and the control of what constitutes of the words. In his compilation and explanation, the author deals with the science of spelling and calligraphy in ninety-six verses, starting with an introductory introduction, then four chapters: the first: on connection and disconnection (separation). The second: deletion. And the third: to increase. And the fourth: in allowance. Under each chapter are chapters and issues, the author employed sayings, evidences and examples for them in a wonderful (essential) manner, then concluded with a conclusion in dots and formation. The author presented a scientific rooting (foundation) of Arabic dictation, based on the value of grammarians, and the writing of prosody, with his comparison of that to the drawing of the Qur'an, so that his book became full of benefits and a great treatise, despite its small size and easy (smooth) expression.
İsâmüddîn El-İsferâyînî'nin Nahiv yönü ve metodoloji açısından ʿİṣâm ʿAle'l-câmî adlı eserinin incelenmesi
İslâm'ın erken dönemlerinden itibaren Müslüman âlimler Kur'an dili olan Arapça'ya sahip çıkarak büyük önem atfetmiş ve her zaman onu ileriye taşımayı hedeflemişlerdir. Bunun neticesinde İslâm tarihi boyunca her dönemde pek çok dilbilimci yetişmiştir. Bunlar, birbirinden kıymetli çok sayıda eser telif etmişlerdir. Bu vesileyle de Arapçanın gelişiminde büyük katkılar sunmuşlardır. 'İsâmüddîn el-İsferâyînî dil alanında kaleme aldığı çalışmalarıyla ün yapan söz konusu dilbilimcilerden birdir. Çalışmamızda İsferâyînî'nin Nahiv yönünü ve ʿİṣâm ʿale'l-Câmî adlı eserindeki metodunu inceledik. Bu kapsamda çalışmamızı giriş ve iki bölüm olarak planladık. Girişte tezin konusu, amacı, tezde izlenen metot ve tezin kaynakları gibi bilgilere yer verdik. Birinci bölümde İsferâyînî'nin hayatı ilmi şahsiyeti ve nahvi yönüne temas ettikten sonra kendisinin ve ʿİṣâm ʿale'l-Câmî adlı eserinin nahiv ilmindeki önemine değindik. İkinci bölümde İsferâyînî'nin sözü edilen eserindeki metodunu belirtmeye çalıştık. Bu bağlamda onun ifadeleri açıklama tarzını, ihtilaflı meseleleri ele alış üslubunu ve eleştiri metodunu örneklerle izah etmeye çalıştık. Anahtar Kelimeler: 'İsâmüddîn el-İsferâyînî, ʿİṣâm ʿale'l-Câmî, Nahiv, Metod.