Master'sOpen Access

Abstracti̇on trends and plasti̇c analysi̇es of after 1950 Turki̇sh Pai̇nti̇ng Art

2013
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Advisor: Prof. Sadettin Sarı

Abstract (EN)

Beginning from 1950 some developing social events around the world since has aroused great repercussions in the art circles and trailed population. Human rights, democracy, social life issues such as works of art produced in every field of art, society and the values of re-questioned. In such a different environment and poles in Turkey, not only uninterested in the social events but also community discussions and ideas experienced interrogator scheme. Turkish artist affected the social life, the works of the different methods that reflected similar topics. The 1950s, especially in war, conflict and turmoil for many years as the concepts found in rich form of expression. Between Russia and the United States during the Cold War, Korea, Vietnam, the First Indochina, the Arab-Israel War of Independence, such as Algeria is experiencing wars that marked the history of the world for many years. On the other hand evergreen in Turkey for many years, now recognized as one of the most important revolutions in the Cuban Revolution in the 1950s, it is known as one of the major social events. Broad masses of the people affected by the nuclear family structure formed on the ideological foundations of these years, literally, sociological upheaval and social events assessed in relation to the concrete-abstract, broadening the impact of social upheavals. So artist cannot find a response to a concrete ideology of the conceptual which means different things to everyone in their quest for a worldwide search for new and more entered into it. Imagine the location of every society trapped in their hearts blue sky and freedom concepts of enlightenment, left alone with the dark concerns purification. Artist questioned, interrogated, which questions the abstract and non-existent key to rebirth as an individual, but extremely confident that promotes the right of a lock. This commitment to the world of the artist's crisis of hope, the outcry was either antidote or vaccine creativity that supernatural feel. In this study, the figure of abstract painting, object, space, its relationship with the format, content and aesthetic value are examined in the context of the development process within the period determined in the artists' stylistic differences. All around the world after World War II as well as in Turkey, important social, cultural and economic changes have occurred, this change is reflected in the art of painting. Thus, since 1950, ix Turkish painting art entered a period that is made progress. This period of industrialization came with the technical, scientific and intellectual developments that is fast period. The rapid development in all areas, played a significant role in the development of abstract form. Changes and developments in social structure, has given people the idea that changing the philosophical depth. As a result of these developments, civil unrest created by the artist wanted to purify the objects in nature, it began to disintegrate, as a result of this it started to part the culture of the object in the picture. Abstract art, the artist's inner world of metaphysical concepts such as leaving alone plunged into a different world, with its own logic to choose the path of creating forms, has explained. In the first part of the thesis, abstract and abstraction focused. Format, item, examined the concepts of subjectivism and content. Western art and Turkish art's of abstract painting and abstraction made investigation. In the second part of the thesis, developing and changing social events in the years after 1950 were examined and artists' practices were selected from the same period, the differences in style. Abstraction, philosophy, logic, and these data are based on the results of psychological research on the process of developing systematic attempts to explain under the titles of the works of selected artists and art abstraction abstract examined in the context of its relations with. In the third section, a subjective attitude and interpretation of abstract painting is to be addressed in terms of plasticity. Depending on the elements of abstract art that is implemented, the scope of work, including proper application of this section of the thesis is the work. Oil painting studies, thesis title in relation to establishing a framework has been involved in this study.

Author

Dr. Sabriye Öztütüncü

How to Cite

Sabriye Öztütüncü (Master Thesis). Abstracti̇on trends and plasti̇c analysi̇es of after 1950 Turki̇sh Pai̇nti̇ng Art, 2013, Akdeniz University.

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