The position of installation concept in contemporary ceramic art

The concept of installation what is described many times and does not have an only equivalent of meaning, starts to rank as a new means of expression in the process of contemporary art in 20th century. The installation inholds an experienced space and reflection of connection between the artwork and the observer beside to have meaning of placement and editing as a lexical meaning. Evaluating of the installation as an artistic explanandum with a concept and a meaning fact in 1970's starts with Conceptual Art what becomes prevalent. So, it is caused to be creating a different and a new wording by the conceptual artists who gets across this situation as well as in the world and in our country. Researching unity of the space, time and observer from the point of concept is the most important distinction of the installation. On the other hand, a space can be determined according to an artwork which is produced. That is possible to observe in the formation of the installation. While the observer lives in fact of the time, it interacts with the factors of a space which is edited. So, the space enables to live a new experience of the observers. At the same years, a space concerns come into being in the Contemporary Ceramic Art which starts to get disconnected from its traditionalty and needs for intellectual meanings. This situation causes to get across of the installation by contemporary ceramic artists. Within the context of the ceramic art which continues in the contemporary art is possible to see ceramic installation workarts as well as international and national artists. The concept of installation in the Contemporary Ceramic Art is reached to fruition with its formation, development and reasons by being evaluated entire Conceptual Art, in this thesis which is prepared in line with these examples. Key Words: Installation, Conceptual Art, Contemporary Art, Contemporary Ceramic Art.