Filmosophic overview of contemporary Turkish cinema
2020
0 views
0 downloads
Advisor: Doç. Dr. Gizem Parlayandemir
Abstract (EN)
Cinema has always been a branch of art in which thoughts are transformed into images. Considering the images that cinema creates with the power it takes from thoughts, it is out of question to be separated from images. When it is accepted that cinema and philosophy are on the same plane, it will be seen that one of the common points between them is images. For this reason, cinema, which is an art, has always been an area of interest for philosophers. Apart from philosophers, cinema was also handled by theoretical directors and ideas were put forward on what cinema is and what it could be. The field of cinema philosophy was born in this way. The philosophy of "films thinking", which has gained an important place in the philosophy of cinema, has opened a new page especially with Daniel Frampton's filmosophy theory. Frampton claims that films can philosophize just like philosophical texts, and that they do this with cinematic elements. Thinking movies have a film-mind that is different from the human mind. The film-mind creates the movie-world through film-thinking, and this world is a different world from the real world. Filmosophy develops a new theory of film form by treating film as a way of thinking. In this study, first thoughts in the field of cinema philosophy were explained; The philosophy of "films thinking" has been studied and the concepts of film-mind, film-thinking and film-world, which are the foundations of Frampton's theory of filmosophy, have been examined in detail. In the last section, Independent Turkish Cinema is handled and explained what independent cinema is, how independent cinema emerged, Yeşilçam cinema before independent cinema, independent cinema and its differences from classical narrative cinema with its independent features. Then, the films selected from the Independent Turkish Cinema with a purposeful sampling were analyzed with Frampton's filmosophical analysis. It has been tried to determine with which cinematic components and how the films that carry out the act of thinking about movies in the Independent Turkish Cinema make philosophy.
Author
Dr. Deniz Oğuzcan
Institution
How to Cite
Deniz Oğuzcan (Master Thesis). Filmosophic overview of contemporary Turkish cinema, 2020, İstanbul University.
License
Tüm Hakları Saklıdır
This work is shared under the specified license terms.
More theses from İstanbul University
- In the covid 19 pandemic of female employees at a university hospital attitudes and affecting factors in nutrition of 9 months-6 years old children(2022)
- The perception of the right-wing movements in Turkey as to the 27 May Coup: 1960-1980(2020)
- Economic and social life in the Ottoman Empire according to the 1890 year's news of La Turquie Newspaper(2022)
- Land regime in the Umayyads period(2022)
- Merkel hücreli karsinomda tanısal ve prognostik belirteçler(2022)
- Use of machine learning methods in classification of respiratory system diseases(2021)