Traditional instrumental folk poet, composer Miradê Kinê and an review of gis crucial art

Today, there are numerous master's and doctoral theses on Dengbêj and are still being written. This tradition, which is of great importance especially in the Southeastern and Eastern Anatolia regions of our country, is an important subject worth researching and examining with its various dimensions. Countless dengbêj and dengbêjî works that are still unarchived, unbiographed and in danger of being lost will disappear unless they are brought to light through such studies. Since this subject is broad and multidimensional, it is possible to deal with it with different approaches (cultural, artistic, sociological, historical, psychological, etc.). In this study, the thesis, which tells the life story of Miradê Kinê, one of the important performers of the accompanied dengbêj tradition, also reveals the historical relationship of this great master's works in the accompanying dengbêjî format. It has been exemplified by his important works in this sense and evaluated by examining both artistic and historical dimensions. Therefore, this study, which also describes the biography of Miradê Kine; While dengbêj touched upon the subjects about the dengbêj tradition with accompaniment, the rebab, the instrument of the performer, and the "dom", the tribe from which the performer came, again, its importance in this framework, its archival works were examined in terms of its artistic and historical aspects.