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In this thesis, how the subject of "ordinariness" should be presented is studied. The time fiction of the authentic story - chosen relevant with the study - is altered by using the flashback technique. The chronological time usage of the story of an ordinary encounter, was broken and the story's clasical narration structure is reconstracted by the sence of modernist cinema understanding. Without drifting apart from the work of art, author's approach of literature-cinema relation was taken care of. Intention is to leave an intellectual impression on the audience about the "time" concept.