Ceramics in the context of interactive art and personalized applications

In the 1960s and after, art forms began to change and with this change, the concept of art, artwork and audience changed. After the 1990s, however, a period has emerged in which the concept of artist-artwork and viewer is now fully present, and with it the existence of a more active viewer, the artist's communication with the viewer through the work of art, and the transition of the impression of the works of art from passive to active state. It can be said that the view of artworks changing with the active participation of the viewer enables the viewer to be involved in the work of art and to experience and interact with it from a different perspective. In this study, it is aimed to analyze the differences of art ceramics from form to form, and to analyze how the resulting void is shaped and constructed by examining examples. First of all, in addition to historical and scientific studies on interactive art, the works of artists who can be given as examples of interactive art through specific examples and general information about the historical development of the subject are included in the study. Then, considering the interaction of the subject, literature studies and exhibitions were examined and explained about the artist and the work to be included. Samples created from the works of artists were evaluated through the connection between the work of art and the audience, and the differences of the works of artists in the context of interaction were tried to be revealed. Finally, personal ceramic applications were made in this context.