Philosophy of ethics with movies: An enquiry about presentation of goodness and evilness

Values of goodness and evilness, not only in daily routines but also presents freqeuntly with cinema's own operations as transmission of reality. If concentrating on certain theories or formules of human behavours is a primary mission of Philosophy of Ethics; art of cinema which is the most prone to presentations about practice, conversion, actualization, and being, can consider on evilness and goodness of morality. With this understanding, the thesis partitioned the values applied to practices by both cinema and ethics philosophy into three categories; rational goodnes and evilness with Shame (Bergman, 1968), emotional goodness and evilness with Jagten (Vinterberg, 2012), and lastly aesthetics goodness and evilness with The Hunchback of Notre Dame (Delannoy, 1956). In hope that the thesis will be understood and inspire to studies of philosophy of cinema in the future, while considering about three categories of morality, makes films conflict with their own nature. In Fourth chapter and Conclusion, it offers to watch them all from out of the window. Thesis not only mentions notions about the ethics of philosophy but also gives a lot of tips to readers for destruciton or rebuild of them. In the end, it makes cinematic inferences about conceptions which belong to ethics of philosophy.