The evolution of luxury fashion brands' web designs
2025
0 views
0 downloads
Advisor: Prof. Dr. Kamil Çekerol
Abstract (EN)
This study aims to examine the transformation of web design in luxury fashion brands between 2015 and 2025. In an era where digital presence has become increasingly significant, web design has evolved from a mere visual presentation into a strategic tool that reflects brand identity and enables user interaction. The research analyzes the homepage interfaces and digital experience platforms of ten selected luxury fashion brands (Dior, Gucci, Chanel, Armani, Burberry, Rolex, Prada, Tiffany & Co., Ralph Lauren, Versace) in the specified two periods. These interfaces are examined through Roland Barthes' semiotic method, focusing on elements such as color palette, use of negative space, minimalism, and hyperreality. Findings indicate a notable increase in minimalist design elements in 2025 compared to 2015, along with a more visible presence of hyperreal representations within digital experiences. Although the brands strive to maintain their distinctive digital identities, the results reveal a converging aesthetic language shaped by global user expectations. This study contributes to the fields of visual communication and digital design by interpreting this transformation within the theoretical framework of minimalism and simulation theory.
Author
Dr. Hatice Nur Demir
Institution
How to Cite
Hatice Nur Demir (Master Thesis). The evolution of luxury fashion brands' web designs, 2025, Anadolu University.
Keywords
License
Tüm Hakları Saklıdır
This work is shared under the specified license terms.
More theses from Anadolu University
- Morphological, anatomical and phytochemical studies on Fritillaria imperialis L. and Fritillaria persica L.(2019)
- Religious architecture of Adana in Byzantine Period(2021)
- Animation and magical realism(2021)
- The effectiveness of teaching to safety travel skills by fasten seat belt using social stories to individuals with intellectual disabilities(2021)
- An analysis of the cello techniques used by Henri Dutilleuxin his work Trois Strophes Sur Le Nom de Sacher(2021)
- Interpretation of treaties according to the Vienna Convention on the Law of Treaties(2023)
