Scene of becoming Beckett
2011
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Advisor: Doç. Dr. Çetin Balanuye
Abstract (EN)
In the project called Scene of Becoming Beckett the notions of French philosopher Deleuze such as, Becoming, Desire and Body and their trace in literature will be analyzed. Especially in Beckett?s literal works the examples and signs of the idea of becoming will be discussed. In Deleuze?s point of view, bodies and the facts always exist in the present moment. As a part of an eternalin becoming, is reputeted to be an action is tired to be figured out with the body, not with the mind. Body, has a significant place in Deleuze?s philosophy. As a important notion of immanence philosophy, body has the same worth with apprehension. Becoming is the process of body. Desire is a flow that has movement. Such a movement of desire which is away from subject idea is a flow which is the process of non compos mentis. A work of art, no matter what kind of art, is the act of immanence. Character?s action isnot determined from consciousness (the mind) İn Beckett?s novels and plays as Waiting for Godot, End Game, Happy Days Plays, Molloy, Watt, the Unnamable, Malone Dies. The character?s movement is determined towards what is meaningless with effect of unconscious. Beckett's characters are in an occurrence. Beckett?s characters will deterritorialization by creating flight line.
Author
Dr. Ecevit Karaca
How to Cite
Ecevit Karaca (Master Thesis). Scene of becoming Beckett, 2011, Akdeniz University.
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