Nietzsche'nin bengi dönüş düşüncesinde gösteri kavramı

Nietzsche defines nihilism of his time as a disease, which arouses in man parasitic perspectives on life and the world. He unveils this disease from the genealogy of will to decline which is no longer powerful to affirm life and the world. He exposes this disease as heaviness and disgust. According to Nietzsche, man finally arrives at a phase where he is very tired of living and only wants his decline and his apocalypse by producing heavy and disgusting spectacles for life such as historical domination and dialectical appropriation. Nietzsche formulates this disease from a visual thought, so it also designates the diversion from the heavy and disgusting spectacle. Nietzsche describes this visual thought as the formidable weight, which annihilates or transforms us. The first appearance of this thought is sickly and cursed while the second is transformative and healing. This visual thought is the thought of eternal return in Nietzsche's philosophy. The second appearance of the thought of eternal return therefore designates the transformation of spectacles. This is why it requires a new physiognomy of the eye and a new imagination about life and the world. In this way, the thought of the eternal return is manifested first by the other in the image of the same, then by the alternative and the affirmation of life and the world.