The concept of chancing stage design and its' effects to space design

Stage space has gone through various stages of development since its beginning. This development and change has continued as specific theater and leadership of the playbook until the twentieth century. The development of decor solutions that purposes to create Atmosphere and to provide the space changes have began to change the view to the staging concept. Also, diversification of the items which used to create the atmosphere of the scene have necessitated the search for a holistic design approach between the fixed-chanceable elements. Emerging developments with the 20. Century has changed life perception of the individual and performing arts have emerged that describes humans person to person. Increasing the diversity of the performances played on stage has caused the emergence of a new search in the stage design. Searches for gathering players with the audience have turned performance space into laboratory for experimental stage studies. Existing or potential spaces have been organized in order to experiments. Stage and its space have inspired from previous experiences and each new trial. In addition to this, Stage and its space has uncovered new and spatial re-creations. The search for forms that runs parallel orientation of staging in the performans space also continues today. For all that has also increased the need for flexible stage design which enable the realization of different performance. In this context, mentioned by Peter Brook "Everywhere is a stage" statement has recommended an important approach that will provide new stage design for performans space and stage design. Consequently, the search for diversifying and chancing performance staging has removed trials of strict form for performance space and it has made possible flexible thinking and practices that space differentiation or definition that can be open to space in different ways. Therefore, this study has aimed to put forth that the evolution of the stage with through evaluated in terms of staging and spatial design and also it is intented to give design data related to the creation of modern stage space based on experience as a question addressed by the interdisciplinary diversity since the beginning. Key Words: Stage Phenomenon, Performing Arts-Stage Relationships, Flexible Stage Design and Interactive Stage, Spatial Experience, Interior Design