As an interdisciplinary approach perception of portraits in contemporary art

All productions in the field of art express the subjective world and vital reality of the artist. From an expressive point of view, this will suffice to cultivate the portrait. The portrait will be the subject of artistic production and will be like its emotional state, which is in the character of "what will be". It takes the main and his particular unthinkable/spectator to enlarge this assessment as a portrait. While he was in the diaries of the development and living with the revolution in the industry of production, he was in the art, as in the eye, wherever he was in art. This situation gives the event that happened in 1960 a subjective and free structure. In particular, the 20th can be carried out with a high momentum to take advantage of the final and the ongoing until the end. Planning the changes in this process positively affects the progress. In this study, explanations/interpretations were made about portraits that have an effective place in world art. It will also be featured on artists' portrait drawing and recordings, as well as on the next cases. In parallel with the good evaluation in general, the applications applied by the students related to the variety of materials and general lecture. In the field of art, especially the new understandings of expression dating back to the 1960s have also given the art of portrait a conceptual meaning. Portrait practices are put forward as a process as an expression process of going through an interdisciplinary process. It can be considered as current interviews/examination by focusing on experience-based trainings on the main ideas about this development. KEYWORDS:Art, Contemporary Art, Interdisciplinary Art, Portrait, Self-Portrait