Analyzing the works of Mümtaz Yener in the context of social realism

In this thesis, Mumtaz Yener (1918-2007), who lived in the period from the Ottoman period to the establishment of the Republic of Turkey, experienced social, cultural and political developments closely and reflected them in his works with their socially realistic content, is discussed. While the Republican period represents an important phase of Turkish art, the role of art in the creation of Turkish identity and its impact on society have revealed different views of art. During this period, especially between 1923-1933 and Dec. The discussions leading up to World War II centered around the national Academy of Arts, new art and Fine Arts. the transition of the state to the principle of mixed economy between 1940-50, the goals of nationalization, modernization and democratization led to the emergence of the current of social realism. Dec.1940-50-50, the transition of the state to the principle of mixed economy, the goals of nationalization, modernization and democratization. This movement has formed the Yeniler Group by bringing together Mumtaz Yener and young artists who aim to create an integrity between art and society at a time when social consciousness is increasing. Decatur is a Decatur movement that aims to create an integrity between art and society. Mumtaz Yener's works are an important source that successfully reflects her artistic vision, her understanding of social realism and the dynamics of the period. The artist's critical point of view, symbolism and originality in the language of art have given his works both aesthetic and intellectual depth. The iconological analyses carried out in the research contribute to our understanding of the various dimensions of Mümtaz Yener's works, revealing how her art is shaped in a social context and how it conveys a meaningful message to the audience. Keywords: Mumtaz Yener, Social Realism, The New Group, Turkish Painting Art, Republic Perod.