The transformation of the 'Myth of beauty' in the art of painting

The beauty myth holds a significant place in art history and has evolved over different periods. As a fundamental concept in the science of aesthetics, beauty establishes a relationship between natural and artistic beauty. In the Classical Period, beauty was highlighted by the exaltation of ideal forms and symmetry. During this time, mythological figures and deities frequently appeared in artworks, and the understanding of beauty was based on metaphysical foundations. In the Renaissance, a human-centered concept of beauty developed, with human anatomy and natural observations forming the core of art. During this period, artists revisited mythological themes and revived the classical style. In the Baroque Period, artists emphasized emotional expressions through dynamic compositions and dramatic use of light and shadow. Beauty gained a deeper significance, encompassing both physical and emotional aspects. In the Rococo Period, beauty merged with elegance and ornamentation, adopting a lighter and more playful form. Love and everyday life scenes became the main themes of art during this time. Modern Art encompasses many movements that question and redefine the concept of beauty. Impressionism distanced itself from traditional notions of beauty by emphasizing emotions and momentary impressions. Expressionism focused on the artist's inner world and emotional responses, placing the concept of beauty on a subjective basis. Cubism represented beauty through the fragmentation and reconstruction of form, expressing it in geometric abstractions. Consequently, the beauty myth has evolved over time in art, gaining different meanings in each period. The review has a broad and comprehensive framework. Therefore, it has been prepared as a thesis in which the existing literature on the topic is thoroughly reviewed, critically examined, and interpreted.