Style and tavir in the performance of classical Turkish music vocal in the historical process

In this research, it is aimed to examine the historical course of style and interpretation in Classical Turkish Music vocal performance, to determine the periodic style-interpretation forms that emerged in vocal performance, and to identify the factors that were effective in the formation of style and interpretation in the historical process. The research data were obtained through literature review and document analysis. This doctoral dissertation, which is a descriptive study in the survey model, consists of 5 main sections. The first section reflects the scope of the thesis, consisting of the problem, aim, importance, assumptions, limitations, and related research. The second section includes the method used in the research, and the third section presents the conceptual and theoretical framework of the research. The fourth section, where the findings are written, has been examined under two main headings. Firstly, the style and interpretation forms that emerged in vocal performance in the historical process were identified, and subheadings such as hafız-gazelhan, fasıl, radio, choir, piyasa, and solo style and interpretation were examined. In the second main heading, the factors affecting the formation of style and interpretation in vocal performance were determined and examined in the contexts of venue, technological developments, language-prosody, and gender. In the last section of the research, which is the conclusion, the transformations of style and interpretation that occurred in vocal performance in the historical process were determined in detail, and suggestions thought to contribute to the field were provided.