Tachism movements in figurative paintings in the contemporary Turkish painting art after 1950

This study has been handled with the figurative approach of staining in the Contemporary Turkish painting art after 1950, and the finding of the first figure on the cave walls, starting with this, proceeding with the staining movements included in the pictorial process, and progressed with examples from the Western world and Contemporary Turkish painting art. Considering the historical process and limitation, the movement of the figure and blotchy is presented in the first part. In the second part of the study, the definitions of the concepts of figure, figurative, and stain are given in detail. With these concepts and before the understanding in Contemporary Turkish painting after 1950, the understanding of figurative painting in the European painting art in the context of staining was mentioned. The works that include the stained dynamism in the context of the figure, which the artists in Europe deal with, are given with examples by considering the historical process starting from romanticism and impressionism, fauvism, expressionism, cubism, futurism, surrealism, abstract art, abstract expressionism, pop art, and conceptual art movements. In the third part, figurative approaches in the context of staining in Turkish painting art before 1950 are discussed. Integrity has been achieved in the subject by examining the works of the artists of their period, namely the Çallı Generation, the Independent Painters and Sculptors Union, the D group, the Yeniler group, and the On'lar group, which represent Turkish painting before the '50s, with their spotty accents on the figures. In the fourth part, figurative approaches in the stained context in Contemporary Turkish painting after 1950, and the understanding of art from the 50s and 60s to the present are mentioned. The artistic life of Mustafa Ata, Ergin İnan, Turan Erol, Mehmet Özer and Süleyman Saim Tekcan, our contemporary Turkish painting artists, and the stained dynamism on the figure in their works are given. In the fifth part, ten personal works that represent the stained mobility in figurative paintings in the context of contemporary painting are included. In My works, stylized human figures were used, starting from the cave walls. These figures form an impressive composition together with stained mobility. Each part of this thesis, which consists of five parts, serves the thesis title in the context of the subject together with examples, quotations and comments.