Dadaism and anti-art approaches in 20th century western art

"Destruction is also creation!" The Dada movement, with its motto, has an anarchist destructiveness towards society, traditions, capitalist governments, and art as their domain. This situation has led to the fact that the supremacy of art has been replaced by new formal and conceptual expansions and has revealed the concept of "Anti Art". The Dada movement adopts the philosophy that has evolved from socialism to a communist line which protects the rights of the people and the proletariat, against Militarism formed in parallel with colonialism as a result of capitalism formed by industrialization. Dada, which was born with the social and political effects of the 1st World War; It is a post-modern movement that has shown an anti-art approach with its political philosophy in its shows, disrupting forms, using ready-made objects and collage, montage, assemblage techniques and approaching the concept of the artist, and has provided the transition to modern art. Many techniques and languages that Dada contributed to art are still used today. We can see the influences of the Dada movement, conceptually and in form, at the basis of modern and contemporary art. Dada spread in many countries in a short time. Ironically, with its anti-art philosophy that prioritizes thought over skill and art object, it continues to exist in art until today as an attitude, despite the passing of a century.