A place of experience in the context of plastic arts from 20 centuries to our day-the loss of the memory

19th century after the Industrial Revolution. The modernization process of Europe has put the relationship between the audience and the object of art into a radical transformation process. With the effect of this process, the borders between the audience and the object of art have been lifted and new alternatives have been created for the tradition display methods. Neutral display spaces of modernist thought, called the White Cube, began to deconstruct. A new monitoring practice has emerged between space and audience, audience and art object, art object and space. Bringing together conceptual infrastructure with space-object-observer-time elements after the 1950s, the artist has created "experiences" that can be entered and exited. Thus, the viewer's stance towards the object of art has changed and now he has entered the participant position, which is the part of the work that completes the work. Space has become a situation, not just a place.