Reflections of confesyonalizm in Asli Serin's poems and "I"

Which became popular in America in the years following the II. World War Cofessional poetry, personal experience and denied the dynamics of life itself, didn't ignore self, neuro aesthetics has emerged from the aesthetic filter attempt to reflect and surge in the tension around this initiative is the general name of the movement that appear in the difficult process. The losses and the negative energy produced by the World War in every dimension unite with the negative aspect of the human and unseen autobiography lines have emerged. It started Sylvia Plath and Anne Sexton; whom the attempt to keep the psychic jolts of pain and the pain of existence has aroused great interest, day of suicidal result increased interest. Cofessional Poetry more likely occur from women; that's why it reflects the way women look at world. This perspective has spread across various parts of the world, in Persian Literature Furuğ Ferruhzad, in African Literature Ingrid Jonker, in Indian Literature Kamala Das and in Turkish Literature Nilgün Marmara partially influenced. Cofessional Poetry more likely women poetry influenced and supported. Confessional poetry not only a female movement, it is important to study the movements in the world about women. İn this study, the reflection of Turkish Literature, especially on Aslı Serin, it is compared with the examples in world literature. Last one confessional poetry it is made analyse with common poems of the poems. Keywords: I, confessional poetry, women, sexuality, mizantropi, transgression.