Analysis of space and movement in picture language

The equivalent of these concepts in art, such as space, motion, bond, infinity and extensions, will be analyzed by analyzing the language of painting and at the same time, their reflections in our art will be examined. They entered into an intense search for the war periods with the social effects of the 20th century, and now they have started many innovations in the name of art. In these searches, the location of the residents as a settlement has been a subject that has been examined. The sense of fullness brought about by the emptiness has supported new connectors and expanded the circle of concepts such as motion, space, time, space and space. The concept of emptiness, which was first shaped by the Far East service, was adopted a few hundred years later by influencing Western and Turkish art. Developing the church of the sense of eternity taught by the inhabitants of the universe and observing the movement of small changes sensorially helped shape the thesis topic. Images that turned into routine linear movements instead of objective objects positioned on universe studies began to become nameless and formless. In addition to this, he published an article on the subject of motion by continuing the lines that interpenetrate each other in the void. In the first part, a general definition will be given to the concept of emptiness. It will be exemplified together with the artists about the concept of literature science. The way in which the Concept of Void is handled in the East, the West and in Turkish art will be interpreted and at the same time, the works of the artists on the concept of Void will be mentioned. In the second part, the literature principles of motion, which is another concept, and a general definition are made. Finally, the applications related to the concepts discussed will be examined. Keywords: Space, movement, espacer, bond, painting