Three dimensional reflections of the art after the republic

Post republican artists are examined story of the printing technique to transition from two dimensional painting to three dimensional forms. In the art of painting, printing technique was developed through the invention, experiments and new needs. Three dimensions in the art of print and the changes in the historical process are examined between three dimensional reflections and interdisciplinaryrelations by the artists after1923.Qualitative screening method was used as the research method. Domestic and foreign qualitative sources are classified and arranged chronologically and examples of the artists' own works have been conveyed. The main subject of the study isto investigate the transformation into original productions according to the changing and evolving art understanding of original printmaking, the expectations of the artists and the audienceshaped according to the conditions of the epoch by the means ofthe third dimension in interdisciplinaryapproaches and alternative materials. In the first part of the study, the aim of the study, its importance, historical backgrounds, content and method have been explained. In the second part of the study, the three dimensions of original printmaking are included in the qualitative literature surveys about their reflections and printing characteristics. In the third part of the study, three-dimensional reflections of the original printmaking art after the Republic were examined. In the last part of the thesis, the subject is interpreted in the light of the above data.