The questioning of dream, dream, unconscious images in the field of art and their transformation into works of art

This study was conducted to question the concepts of dream, dream and unconscious in the field of art and to transform them into artworks. In the first stage, the conceptual framework of the study was determined by scanning the relevant literature in the context of the subject, and in this context, theoretical literature was created by analysing art, psychology and philosophy texts/images. During the study process, ninety-two application works (paintings) in various techniques and dimensions were produced by making art productions in the context of subject and theme. The visuals obtained at the end of this process were analysed and interpreted by using Semiotics and Feldman criticism methods. The conceptual questioning was analysed especially within the scope of Sigmund Freud and Carl Gustav Jung, and at the end of the study, some arguments were revealed in the context of the concepts of dream, dream and unconscious. The collective work of consciousness and unconscious internalises and diversifies the image world in the process of art creation, when one enters the field of dream and dream, one is out of the known reality, and the artist creates a symbolic language by making use of dream, dream and unconscious in image creation, The arguments that flow or transcendental times in the creation of art are possible with unconscious journeys, that in works where emotions are expressed, reason filter, logic and consciousness are postponed and the unconscious directs the process, that the unconscious continues to leave traces in the image world while sleeping/waking are given in the conclusion and evaluation section.