The concept of "Melâmet" in Fuzuli and Yunus Emre divans

Melâmet is an Islamic living and thinking form that emerged in Khorasan in the III./IX. century and spread over the whole Islamic world over time and is based on being pleased with the condemnation. Two of the poets who make the most use of the concept of melamet in Turkish literature are Yunus Emre and Fuzuli. In this study Yunus Emre and Fuzuli divans were identified and commented on the dialects that came into this concept area and it was evaluated in terms of what aspects of the concept the poets stand on. It was aimed to examine how the concept of melamet was perceived in the Sunni and Shiite mystical circles in the geography of Anatolia in the 13th century and in the geography of Iraq in the 16th century. The study consists of five parts including Introduction and Conclusion. In the introductory section, the meaning of the concept of melamet, the emergence of the first phase " Melamet" , the relationship between FutuVet and Ahilik, the second phase "Melamet" , the third phase "Melamet" and the reflection of Melamet in the classical Turkish poetry . The Concept of Melamet in Yunus Emre Divan in the first chapter was examined in light of the political-socio-cultural situation of Yunus Emre's 13th century and the life-literary personality and works of Yunus Emre. In the second chapter , the concept of Melamet in Fuzuli Divan was examined by considering the political-sociocultural situation of Fuzuli's 16th century and the life-literary personality and works of Fuzuli. In the third chapter, the words and some couplets used in the divans of the Melamet Concept in Yunus Emre and Fuzuli Divans were examined and compared. In the conclusion section, the effect of the concept of melamet in Fuzuli and Yunus Emre Divans, Fuzuli and Yunus's way of operating this concept is explained. We believe that this study will be a good model for the study of the future of the melamet.