The effects of spectator stage relationship to spatial change from past to present

Faith based ceremonies, which were initiated because of the primitive men's membership in a social community and were risen essentially to compensate their survival needs as a collective partnership, should have had some feature, without a doubt. At first, this feature was a single circle drawn by someone who was believed to have holy skills and in time through needs has become became a three-dimensional, all growing place. It is unlikely to determine which needs are met by the look of a stage architecture through pure architectural forms, so in order to find out the change sparking dynamics, it is necessary to investigate the many characteristics creating that society. In the beginning of this work, which the research is done to figure out the transformation of the stage and of the observation point connect to the social movement, two stylistic forms are tried to be explained according to the location of the observer and the stage. Afterwards, it is tried to be explained in which ways do the western theatre, beginning from the ritual ceremonies and transforming until 20th Century, affect the relationship between the observation point and the stage. Ultimately; it is discussed to what extent does the faith derived motivation influence the crowds, and the idea of the ruling and the opposing class's usage of art's forms of impression, action, attendance as a whole and building the scene according to their needs.