An investigation of the relationship between visual perception and creativity and design sensitivity

In our research, which was initiated with the consideration of the sensitivity and the reasons of urgency experienced during the process of gathering the independent parts we see in relation with each other, focusing on this sensitivity, the study of the short stories of French novelist and story writer Guy de Maupassant has formed the starting point of our research. When the works of the author were examined, the point of view of the author was dominated by the general rather than the main subject dealt with in the stories. The way the author expresses the things such as occurrences in everyday life, the format of the incarnation in nature, the complaint of everyday issues, the misery of objects, the lack of organs can be expressed as the properties are appeared in front of me, the same things that can be considered as difficult to describe the situation, to be able to express his thoughts that may be considered out of the norm, and the fact that these ideas are feeding the form of production to some extent has established an important anchor point in the point of producing ideas in connection with the research. The relationship between artistic creativity and everyday life, even in more ordinary situations, the existence of aesthetic concerns, producing, creating, and often repeated situations in our lives are aimed to be studied. There are many material cycles in our nature. But the repeated and the desired to be overcome again to some extent by using the repetition of an unlimited state by taking the form of a free expression can reach. In a sense, the repeated situations that are tried to be overcome are in the form of showing thoughts, they support us at the point of formation of new regulations. There may be unlimited image recordings between the studies and the repeated situations and the composition of our production is fed again with the frames squeezed between the repeated scenes. In order to document the areas that the eye cannot perceive during the creation of the studies, the mechanism in which human and animal movements work on mechanics, and the mechanism in which the physiologist Etienne Jules Marey and Eadward Jordan work on the processes of movement, were photographed in small parts of a motion flow, and the idea of working with serial photographs. The mechanism that is studied to document areas that the eye cannot detect is that it supports the idea that there may be unlimited image recordings missed among the perceived moments. In this sense, there are effective definitions in the creation of the skeleton of my drawings, with the desire to have the space of those who can not see the expression of the two squares between the first and one after the hung vision, artistic creations with the overlap of our research.