Analysis of Gülbagdat Omarova poems according to the ontological analysis method

Kumyks have tried to maintain their existence under Russian colonial rule throughout history. Due to this colonization, most of the works, poets and writers of Kumuk literature have not yet come to light. For this reason, through this study, it is aimed to touch some of the lyrical poems in Kumuk literature and to combine the literature of the Kumyks with the field of Turkish literature through the poetry world of Kumuk poet Gulbagdat Omarova. It has been determined that Omarova's poems are of lyrical type. Every feeling that the artists could not express and had to suppress due to the influence of the period and conditions, took shelter under the guise of lyricism as a result of the enthusiasm that emerged and was published in all literary texts and various branches such as painting, music and plastic arts. The lyric/lyricism form of expression has undertaken the task of expressing the feeling of love due to the intensity of emotion it carries. The most general dictionary definition that everyone knows about the nature of this form of expression since the formation of lyricism/lyrical expression type is as follows: "Poem with enthusiastic and passionate expression, expressing the common feelings of the society or the personal feelings of the poet". In the study, the lyric poems of Gülbagdat Omarova were examined with the "Ontological Analysis" method introduced by Nicolai Hartmann. The method put forward by Hartmann allows us to consider all structures from inside to outside by dividing the poem into certain layers (layers) and to examine the poem in a holistic structure. As a result of the study, it was concluded that Gülbagdat Omarova's poems carry many common elements related to Turkish mythology and Turkish literature, and it was concluded that the poetic language of the Turkish people is related to its counterparts.