البناء الإيقاعي في شعر هزبر محمود

This study aimed to stand at (the rhythmic construction in the poetry of Hazbar Mahmoud) and deal with the musical side in his poetry, because poetry reaches its psychological impact through music, and rhythm is the soul of music and its auditory soul, and a sign of its quality. The importance of the study lies in the importance of the poet Hazbar Mahmoud, as he is considered a prize hunter in this era. There is no Arab prize except that he has a share in it, and there is no competition except that his name is in the first list. From here we know that his poetry represents the poetry of the era and its general taste, and the first chapter is studied. (external rhythm), the second (rhyme), the third (internal rhythm), and the fourth (the rhythm of references). The indications of these creeps and the ills used the analytical and descriptive method and in extracting the oppositions and thefts the comparative and analytical experimental method was used. The research is mostly based on induction. The style of export, which he developed and distinguished, is intended as a method of weakening to enable rhyme and create musical displacement at home. Keywords: (literature, rhythm, weights, Hazbar Mahmoud, poetry music.)