Identity issues in North African immigrants' cinema

This thesis aims to explore the intersection of migration and the issue of identity. It begins by delving into the concept of identity, analyzing various types of identity and their distinct characteristics. Furthermore, it seeks to investigate the relationship between migration and identity problems, approaching the topic from multiple perspectives. Additionally, the research aims to examine the reality and evolution of migration from North African countries to Europe, both before and after the colonial era. It intends to study the cinema produced by North African immigrants, emphasizing significant milestones in its development, including the post-independence period and the era following the Arab Spring. Moreover, the research endeavors to shed light on the prominent themes addressed in films created by North African immigrant filmmakers, particularly focusing on works that explore immigration and identity-related issues. It aims to explore the portrayal of identity in the cinema of North African immigrants, analyzing the artistic treatment of migration and its connection to identity matters. Furthermore, this study seeks to uncover the underlying meanings within these films, employing close readings, deconstruction, and analysis of symbols and iconic messages conveyed. The objective is to unveil the extent of the intersection and overlap between the phenomenon of migration and identity problems, while also revealing the ideological underpinnings carried by the cinematic discourse of these directors regarding immigration, identity, and the associated crisis.