Life and art of İsmet Doğan

Contemporary art reveals the productions that emerge dafter the saturation point of the art of all times before it. It is the process in which the productions that are opposed to the definition of pure beauty ariseout of consciousness. There is a moment of encounter by penetrating the reality field that does not rotate around the icon. Thereality here is a kind of production, and its connection swith the truthare shown through its signs.Theworks of Ismet Dogan also carry the production expression of this shock effect of contemporary art in two different forms. His education at the Faculty of Fine Arts in Marmara University and thetimes in France are the main characters of his art. Ismet Dogan combined with Dadaism, collage, ready made, assembled, grafiti techniques, concepts of history, culture and tradition his works in the 80s. Ismet Dogan combining Dadaizm, collage, ready made, assembly, grafiti techniques, history, culture, tradition with concepts of the conceptualized in the 1980s, He focuses on the dimensions of violence and trauma, he imposes, imposed by time, event, knitting, space, and especially the westernization-modernization project. In his studies, he questions modernization with various mediums and fictions and these consepts an integral part of his work. He developed another point of view on his work, particularly on the subject of colonialism, and diversified his subjectswith his cinematographic perception, in the 2000s. The mirrors come in to play as a means of transfer during the seperiods. After all, everything (photography, painting, collage, sculpture, video, film and installation psychics) take sits place as hybrid materials serving it sex pressionprocess. Ismet Dogan puts the viewer in his plane and is under the influence of the fact that the viewer is not able to escape his sight. The artist presents a traumatic game in which the artist become sout side. He produces in different disciplines of contemporary art. The main problems of his work in the see different are as are generally identity, culture, bodyand power. Ismet Dogan open sup a transition between real cold material imagery and fictionin his works. Theaim of this study is; Ismet Dogan's life is to determine his reflections in his own production practices and his position with the art formations and perspective he perceives while creating art life productions in Turkish contemporary art.