Three important law players with its executive characteristics in the law instruments "Vecihe Daryal, Ahmet Yatman, Ferit Alnar"

During the period from the Republican era until today, various determinations and even different claims have been made regarding the performance of the instrument. New performers and new techniques have emerged different styles and attitudes from past to present. Especially in the instrument of the qanun, this difference in style and attitude can be seen more easily. There are three important performance who came to the fore in the Republican era in these attitudes and styles. These performers are "Vecihe Daryal", accepted as the pioneer of the classical style, "Ahmet Yatman", accepted as the pioneer of the market school, and "H. Ferit Alnar", who came to the fore especially in terms of the works he composed for the qanun instrument and in the western music style. In this study; various examination, evaluation and analysis studies have been carried out on the characteristic playing techniques / attitudes of these three performers, who have come to the fore in law enforcement from past to present. In line with the research, it focused on the divisions made by the performers selected ass the sample group, and the common or different performance characteristics in these divisions were determined and interpreted from various angles. The research has a descriptpve nature and is aimed at determining the situation. The universe of the research consist of the ornaments and sentence motifs used by Vecihe Daryal, H. Ferit Alnar and Ahmet Yatman during taksim performances. It was carried out with the method of scanning the sources, and during the data collection process and analysis phase, it was mainly carried out with the "Content Analysis" method. Based on the findings obtained from the research, Vecihe Daryal uses a calmer and fluent melody order in his divisions, as well as understated ornaments, Ahmet Yatman uses more octave vocalizations decorated with accelite passages, H. Ferit Alnar's more tremolo shows that he performed the performance using melody sentences with weighted and octave voices. Key Words: Turkish Music, Kanun Instrument, Taksim, Vecihe Daryal, H. Ferit Alnar, Ahmet Yatman.