Surreal painterly meanings of psychodynamic approaches in the context of the subject-object relationship by imagination

Human beings who observe the formation of objects in nature since their existence, give special meaning to objects which they encounter and question them by comparing this meanings. The individual perceives everything in the World outside of itself as objects with the transition to the phase of subjectification. Throughout life the subject is in an effort to shape nature and create new objects. Starting from the World of objects, it makes objects in nature the image and the fantasy of its in herself. "artist subject" who enters into creation process by this way gains a peculiar individuality by taking outside objects into its mental fiction, and by giving them unique meanings and explications. This process continues as long as there is a struggle self-discovery, eventhough by means of this process the subject alienates itself from other subjects. The object perception may vary from subject to subject as well as the time, situation, andplace of thesubject. The objectrelations and expression technique that an artist uses in itswork - as well as the subject's relationship with the outside World, its decisions and objects it chooses – are governed by the subconscious forces, instictual drives and mental fictions. Inthisperspective, theinclusion of the psychodynamic structure with the Freudian perspective has shown a way to examine the dynamic forces behind the images that the artist used in his work of art. In the first part of the thesis, an introduction was made in general, in the second part, Psychodynamic Approaches and Subject-Object Relations were discussed as the subject. In the third chapter, the theme of the external world was reflected in the art, in the fourth chapter, the psychological treatment method with art was emphasized. In the scope of this study, the application studies and analyzes are discussed. Keywords: Subject-Object Relation, Psychodynamic Approach, Subconscious, Creation Process, İmagination.