Renditions of natüre in the works, pictures

Hummanity, the prezence of their different natüre is realized ar until the day before when he senzed, daili life besides what dey to do adress the requrements of obligations, excepts the ordinary daily dealing whit who, from dealing with this interested in installing various meanings over timethings fascinating. The same bobby, nonetheless continues to this day, each time you enter a new start in the fight to get the art back with data, as long as the look is working to reach the first hand-histori. This effort is an attempt to get to know the same effort end loking forward to the future, too. After all, its own, thus have turned to natüre. The study is composed of three pasts, ın each chapter, some of the blood and interpretations about natüre, human end art elements are written in places that are thought to be relevant. In the first chater, the problem focuses on the method of research and the keywords. In the second chapter, accompanied by the information obtained in the literatüre study, historical development and human perception of nature are explained with a general approach regarding the interpretations of natüre of art. At the en of the second chaoter, humen awareness and interpreted human awareness in the human-nature relationship, the human creation outputs, the descriptions made by man, the inferences, are presented with the blood spilled in the research. In the third chapter, the visuals of the painting Works on the subject are presented together with the analysis. Within the scope of this thesis, Within the scope of this thesis, forty-three canvases of different sizes were painted with oil paintings. Six paintings made in the master's degree are also specified in the selection of the thesis subject, sixteen of the paintings made during the master's process, together with a total of total twenty-two paintings analytical, plastic solutions are presented in conjunction with. In the pictures, the choice of subject selection and first-hand nutrition process required a certain focus on the human natüre relationship, resulting predecessors in an idea of the transformations of change in the historical process of the interpretations made by the developed. Consequently, when viewed as a whole, plastic analysis of the pictures made on this subject consists of the geographical views of natüre. The natüre sections used in almost every picture, the appearance of which are chosen, are the appearances that have been experienced for a certain period of time, their properties such as physical, climatic conditions, etc. Are internalized, visual and sensory memory are applied and their plastic values are shaped. These vievs are preferred in clear composition, stain sel form elements, upcoming tints of monocrome, depth is mostly given with air perspective. A process based on spage and time is described from images composed of sensations and thougghts on the cycle of natüre. This process manifests itself in the pattern, color end tone of the picture, in the effect determined by the tool used. This effect is thought to have a simplification effect. It is thought that the Works on natüre interpretations have their own artistic (original) language. Keywords: Nature, Human, Imitation, Art, Painting, Image