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Line-space interaction in the painting art and usage in the surface projection

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2006
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Abstract (EN)

Historical movement and social advancement have followed a ?road map?from simple to complex, and from concrete to surreal. In the beginning of this ?road?man had discovered the line he shaped, which was one of the most important basepoints where his own life-art consciousness would advance and consequently heobtained drawing skills.Humankind have realized this historical adventure and reached today?sknown points by using spear (straight line), arrow-arc (straight and simple complexline) and later tire (complex line) while meeting the most basic vital needs. It can besaid that the adventure of line has followed a similar road. The human being whowent on his historical journey had used line first as a communication means and forsimple figures. However, line has become one of the most basic and creativecomponent of the art of drawing and aesthetics in the hands of human who wascontinuosly gaining experience. The line which was born with the birth of thehumankind and conceptualised in time, have gained a quality which identifies andenriches any type of composition that may be realized on the surface of paintingwithin its direct relationship with the art of painting together with this developmentprocess. Line has advanced as one of the basic composition elements, which maycreate the entire infrastructure of the composition; form-shape, plan and volume, thatidentifies the borders, and may create many other visual varieties.The existence of components such as such as fomat, style and form within thepainting composition depend also on the concept of space. Space which designatesnumerous facts such as outer space, depth, interval-distance, place, atmosphere, andperspective in art of painting, is one of the basic components -like line- that formand identify the painting composition. Therefore, line and space in painting art,inabstract or concrete compositions interact with eachother regardless of the way theyare edited.

Author

Ceren İlyasoğlu

How to Cite

Ceren İlyasoğlu (Master Thesis). Line-space interaction in the painting art and usage in the surface projection, 2006, Çanakkale Onsekiz Mart University.

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