شعر آل صبيح دراسةً وجمعًا

The Sabeeh family is one of the literary families that thrived during the Abbasid era. This study compiles the poetry of five poets from this family and provides a detailed analysis of their artistic expressions. The featured poets are Al-Qasim bin Sabeeh (who lived in the first half of the 2nd century AH/8th century CE), his son Yusuf bin Al-Qasim (deceased 180 AH / 796 CE), and his grandsons: Abdullah bin Ahmed bin Al-Qasim, who lived in the first half of the 3rd century AH, Ahmed bin Abi Salama, also known as Abu Bakr Al-Baghdadi (deceased 213 AH/828 CE), and Abdullah's son, Muhammad bin Abdullah bin Ahmed, known as Abu Al-Tayyib Al-Yousefi (deceased 260 AH/874 CE). The study is divided into five chapters, with an introduction and a conclusion, supported by references and sources. The introduction discusses the sources in which the poems of the Sabeeh family were found and the methodology used in collecting their poetry. The first chapter is dedicated to the biographies of the poets, while the second focuses on their poetic themes. The third chapter delves into the musical and linguistic aspects of their poetry, and the fourth explores their artistic imagery. The fifth chapter presents the entire poetic collection, with each section dedicated to the work of one of the five poets. The most significant findings of this study are that the poems of these five poets were documented in reputable sources such as "Al-Awraq" by Abu Bakr Al-Souli (deceased 335 AH/947 CE) and "Mu'jam Al-Shu'ara" by Al-Marzubani (deceased 384 AH/994 CE), among others. This gives us confidence in attributing the collected poetry to them. Furthermore, these poets lived in the Abbasid court, and each of them held a special status among the caliph and his associates. Their poetry, as documented in these sources, encompasses a wide range of themes, many of which are common throughout various eras of Arabic poetry, and utilizes long meters and light rhymes based on easily pronounced letters, employing phonetic embellishments to create internal musicality that delights the ear and captivates the mind. Additionally, they employed semantic enhancements to convey and express meanings effectively, creating the desired impact in poetry when presented to the audience. They also employed various artistic techniques, such as simile, metaphor, and allegory, to illustrate and simulate objects with precise and detailed imagery that soothes the heart and resonates with the soul. Keywords: Abbasid-era poets, Sabeeh family, poetic aesthetics