Visual expression of line item in ceramic art and the sgraffito

Drawing has been used for transfer of emotions thoughts and commnication since the existence of humanity. Usage of drawing which begins with frescos shows varities esthetically with the development of civilizations. Productiviness of forms has increased with the widespread use of ceramic because it can be easily found in natüre and takes shape, besides; it allows doing many forms with the development of decorative techniques exerted on. According to information obtained from archaelogical findings, the use of drawing begins with decorations on ceramic surfaces has been used as a means of expression or as a means of communication allowing the case to be presented in the form of story in time. We see the drowings used in accordance with the form reflects the material and technical specifications of the era to which it belongs, in vitrified products, tiles and dinner sets as a decorative element with the development of technology today. But artists are still use different and primitive techniques as a technique and style, Show meaning and psychological effects of drawing type in their Works fort he messages they want to give. Especially analysing the drawing in terms of the techniques used and the harmony with sgrafitto which is one of the most clearly transferred attracts the attention. The subject of this research is examining as an artistic interaction tool on ceramic surfaces of drawing which has been used as a communication tool and decor from prehistoric times to the present day. In this context; scanning the literatüre of the drawing used ceramic surface, techniques and artist views are analysed, examplified with the Works in contemporary ceramic art and new recommendations are offered the the narrative aspect of the drawing in terms of audience interraction. Keywords: Ceramic, Line, Meaning, Technique, Art