The odes of Sünbülzâde Vehbî and the understanding of ode

This study is a study for the evaluation of Sünbülzâde Vehbî's odes in terms of type and form and the determination of the position of odes. The purpose of our study is to reveal the relationship between tradition and the odes of Sünbülzade Vehbi, 18th century poet, and also to reveal what makes them differ from tradition. 63 poems in the section of "kasâîd" in the Sünbülzâde Vehbî Divani were evaluated in terms of type or form. The remaining poems (quatrain, tahmis, tercî-i bend, pentastich etc.) were excluded from the study, as they do not have an attribute in terms of type or form. Tables, graphics and statistical data were used while evaluating the odes in terms of form. Sünbülzâde Vehbî's understanding of odes was evaluated by comparing it to the works of odes, which were carried out from the 13th century to the 18th century. In this evaluation, the connection with the elements that are unique to the poet and the tradition has been revealed. In other parts of the study, language and expression, content and social life elements were examined. After the figure section, quotations from idioms and proverbs, speech language and literary arts from stereotypes are included. In the content, the personal staff mentioned in the odes and the extraordinary odes of the poet were examined and exemplified. In the last chapter, the social life elements that stand out in Vehbi's odes are discussed. As a result of the study, it was concluded that Sünbülzâde Vehbî was in pursuit of innovation by writing unique poems without breaking with tradition and he perceived the odes as the purity both in form and type. KEYWORDS Sünbülzâde Vehbî, Ode, the tradition of Ode, the understanding of Ode