The form analysis of Mustafa Cavus's compositions in the form of "Sarki"
2024
0 views
0 downloads
Advisor: Prof. Dr. Serda Türkel Oter
Abstract (EN)
In this study, the formal analysis of Tanbûri Mustafa Çavuş's works in the form of songs is examined. A total of 48 compositions by the composer were analyzed. The study aims to serve as a resource for performers and researchers of Classical Turkish Music vocal works. In the methodology section of the study, the analysis method is first discussed. Then, the form of the "Şarkı" is described, followed by an overview of Tanbûri Mustafa Çavuş's life and musical background. In the findings section, a formal analysis of the 48 examined works is presented, detailing the general structure of the compositions. To uncover the form in which Tanbûri Mustafa Çavuş composed his works, a qualitative research and survey model was employed. The compositions were transcribed electronically using the "mus2" notation software, adhering strictly to the original notations. Additionally, electronic and written sources were reviewed for data collection. In this study, which covers the formal analysis of Tanbûri Mustafa Çavuş's compositions in the song form, 42 structures were identified as a result of the analyses. These structures are categorized into 2, 3, 4, 5, 6, 8, 10, 12, 15, 16, and 18 lines. The findings are detailed in the conclusion and recommendations section.
Author
Dr. Fatma Nur Çalık
Institution
How to Cite
Fatma Nur Çalık (Master Thesis). The form analysis of Mustafa Cavus's compositions in the form of "Sarki", 2024, Ankara Music and Fine Arts University.
Keywords
License
Tüm Hakları Saklıdır
This work is shared under the specified license terms.
More theses from Ankara Music and Fine Arts University
- A comparative evaluation of opera representation in the 21st century culture industry within the context of authentic and anachronistic regie thoughts in the sample of Rigoletto and La Traviata operas(2023)
- The evaluation of the Turkish Music scoring program developed for the visually handicapped(2024)
- Examination of modern performance techniques used in string instruments within the scope of contemporary music cello repertoire(2025)
- The examination of personal characteristics of saz performance of Talip Özkan(2022)
- The role of conceptual metaphor and the image schemas in the formation of musical metalanguage in Turkish(2022)
- Music of Phrygian civilization and its interaction with Ancient Greek music based on mythological, archaeological and historical data(2022)
