Performance perspectives of rhythm performers in Turkish Folk Music ensembles affiliated with the Ministry of Culture in Turkey, according to regional characteristics

In this thesis, the performance approaches and perspectives of rhythm performers in Turkish Folk Music ensembles affiliated with the Ministry of Culture and Tourism of Turkey are examined according to the musical characteristics specific to their regions. The study first addresses the definition, history, general structure, rhythmic cycles (usûl) and collection activities of Turkish Folk Music, and then elaborates on the concepts of oral versus written repertoire and regionalism. Additionally, drawing on the relevant literature, a conceptual framework is developed concerning traditional instrument construction and the history, types, and significance of percussion instruments in rhythm. In the methodology section, within a qualitative research model, data were gathered via in-depth interviews with rhythm performers serving in the Ministry's choirs and through document analysis, then interpreted using descriptive analysis. The findings show that although performers partially adopt modern techniques, they predominantly preserve traditional performance practices and continue to sustain regional accents and stylistic nuances. Moreover, it was determined that the collection and notation initiatives led by Muzaffer Sarısözen were positively received by these performers and made a valuable contribution to their performance practices. Keywords: Turkish Folk Music, Repertoire, Belonging, Ritim, Ritim Performance