Problems encountered in the execution of the innovative short handle connection order and solution suggestions

The main purpose of this study is to identify the problems encountered in the transpose execution of the innovative short neck fastener and to offer solutions for these problems. Case study, one of the qualitative research methods, was used in the study. The situation examined in this research is the problems encountered in the transpose execution of the innovative short neck fastening scheme and the solution proposals. In this direction, a situation determination was made regarding the determination of the problems encountered and the solution proposals. Since this study aims to identify the problems encountered in transposed performance, it was thought that the opinions of field experts should be included in the study in order to make a versatile evaluation. For this reason, the opinions of experts in the field of baglama were consulted. Semi-structured interview technique was used to determine the opinions of field experts. In the research, it is aimed to increase the dominance of the baglama and to reveal the richness of playing by offering richness in performance by positioning in different decisions in the innovative performance, unlike the traditional performance in the short neck baglama order. Transpose helps to create coma sounds by adding additional frets to the fret structure that does not allow execution in different decisions while performing. From this point of view, the main purpose of this study is to consider the la stable notation system used in traditional performance in different decisions and to provide convenience in execution by supporting the transfer of decisions during implementation with positions that facilitate. In the study, without disturbing the la stable notation system used in Turkish Folk Music, examples were given in different decisions, la stable simple maqam sequences, and solutions were presented with positions that facilitate performance and additional pitches, and a path from traditional to universal was followed by expressing the tonic equivalent in tonal music. In addition, it is aimed to raise awareness by creating diversity in terms of performance in different decisions by bringing a different perspective to the works performed in the short neck baglama order. In the innovative short neck baglama performance, the sensation of the transposed performance sounds different from the traditional performance. In order to facilitate the performance in different decisions in the same chord, without disturbing the structure of the La stable notation, it enables the performer to increase his dominance over the baglama by positioning the decision frets to be played with the help of positive transfer according to the La-axis scales and adding additional frets when necessary. The notes to be played were written according to the tones corresponding to the tonal music, and it was ensured that they were associated with the tonal music. Keywords: Binding, Order, Transpose, Execution, Decision.