Behavior analysis of Alâeddin Yavaşça about the sample of the works that he performed in yürüksemâî form

In this study, behavior analysis of Alâeddin Yavaşça about the sample of the works that he performed in Yürüksemâî Form was entreated. Pursuant to the study, 30 literary works in Yürüksemâî Form were examined. It was aimed to be a source about creating a perspective to students who are cutting or will cut eyeteeth on Turkish music and people who are interested in Turkish music, wonder, research and listen. At first Classical Turkish music was mentioned in our study. Then, Yürüksemâî form was described and musical life of Alâeddin Yavaşça was informed by adding model set that he participated. With the aim of revealing how behavior performed made while he was vocalizing his works in voice records, raster model was used with a qualitative research. Dictation notes was written with a notate program as electronically for the final. While data was collecting, electronical and written source examination was made to be obtained information about examination issue. The ornamentation techniques, expression elements and mannerisms used by the performer to analyze his unique features are shown on the dictated notes. In the light of the findings, the most important ornament technique, which he performed by taking into account the element of lyrics in the works; It has been determined that he uses the multiplication Vibrato and Glissando decoration technique, which takes its value from the note after it, and the Piano expression element the most. It was analyzed that Alâeddin Yavaşça based on not to abscinding a word in the works that he performed. It has been determined that Alaeddin Yavaşça uses embellishment techniques more than the weighing variation and musical expression.